Saturday, February 16, 2013

Still life stage and chooks

Dave made me a great still life stage last month!  The design is very similar to the one designed by Carole and David Marine, available here.  Dave had difficulty finding the furniture grade pvc that was suggested, and so used plumbing piping, but it was not as easy to work with, he had to modify it a bit.  I am just delighted! It is quite large and will fit large bouquet's or smaller items. At the moment i like it draped in white(I'm using old table cloths and pillowcases) but i will likely try other fabric draping options. It's opened up a whole new world of still life to me.  I never did much of it before, as i preferred landscapes, but it is a great option for subjects in the studio and i know i will enjoy the ease of setting up a still life and being able to control the light source(always a problem before when i would set a plant in the window and the light would change as i painted).

chooks - oil on wood - 4 x 4 inches each
I didn't use the stage for these 'chooks'. They are an experiment in pushing impasto effects. Impasto is a word for thicker paint.  I've been wanting to create thicker passages in my work, so I thought i'd give it a try here.

Tuesday, February 12, 2013

beach houses

beach houses - oil on distressed wood - each are 2.5 x 3 inches
Day-dreaming of holidays; painting these teeny tiny beach houses on unfinished wood blocks are the next best thing to being there for me.  I like painting on wood, i prefer it to canvas...but maybe not over linen...i love linen. Linen has a smoother weave than canvas; my brush glides easily on it.  It's why i like painting on wood too, I guess; less drag on the brush. 

I've been waiting for an order of small wood supports to arrive.  Getting impatient, I had some unfinished wood blocks in the studio.  Looking at their texture reminded me of weathered wood. ...Perhaps 'beach houses' could be a theme?  Perhaps a 'distressed'  border around each? ... i think i feel a collection...

Friday, February 8, 2013

Positively primroses

Primrose 1- oil on wood - 4x4"

 Okay... so I broke down and swung into Neils Flowers on my way home from town last week. I wanted to see spring flowers...especially smell them. I just love to step into their greenhouse at this time of year, like entering a new world full of perfect balance...moisture, growth and renewal. I couldn't resist buying 2 gorgeous primroses.  They remind me of England. When we lived in Camberley, Surrey they were always plentiful in January, in the shops and in the gardens.  The yellow ones have the most devine scent!  They are the ones that also grow wild, so they are more true to the original genesis of primrose.   
Primrose 2- oil on wood - 4x4"

Wash Day - oil on gessobord - 12" x 9"
Then I played around with this painting 'Wash Day'.  I developed it from a plein air that i had lying around from our Vermont excursion; one that's been hanging about ever since. With it's angry clouds (that was during Hurricane Sandy that I painted the clouds) brooding, there was an ominous feeling to it, but it seemed vacant. i added the limestone house first, then later the laundry. I might still add a figure... under the long-underwear on the line...but I'm having a hard time deciding if it needs it...any ideas?

Tuesday, February 5, 2013

Gallery Cafe Season launching exhibition


2013 Season Exhibition
Sally Chupick 
Frankie Lemonde-Meunier 
Vera Donefer
at Mill Street Cafe Gallery

me and some of my works at  the gallery cafe
4400 Mill Street, Sydenham, Ontario, Canada
Ph: 613-376-1533
Feb 14th - Dec 30th  
The Mill Street Gallery Cafe opens the 2013 season with lunches Tuesday to Saturday, 11:30 to 2:30pm. On display are paintings by Sally Chupick, Vera Donefer and vibrant mixed media works by Frankie Lemonde-Meunier. 
613 376 1533. 4400 Mill Street, Sydenham, ON.

Sunday, February 3, 2013

learning and a surprise



Throughout this week I've been experimenting with acrylics some more.  These 2 are on small wood supports, only 6x6 inches. The idea was to skip a photo resource to paint from; instead pulling subject matter from my minds eye and imagination and go at it in a playful sort of way... i wanted to fool around and get used to the 'feel' of the medium. I didn't really care about having anything to say...basically illustrations to learn technique.  
What's with the sailboats you might ask? hmmm... I really have no idea! I was listening to a program on Thursday night on tvo called 'Art of Germany' (a great show!)and the narrator described the sailboats in Casper Friedrich's art as symbolising 'life's great journey'. heh heh. not quite sure that's the case here! heh.

Something's still gurgling away in my mind on another theme i've been working on though; it's to do with the 'County Tour' theme that I've been working on in my larger oil paintings.  I decided to start an interpretive painting to get to the bottom of it. The only thing that seemed fitting to try and work it out was to work in an abstract manner. And that was a surprise even for me!  So far, I'm liking where it's heading, you can see it hanging on the white-washed doors in my studio. I'll post again when I complete it.

abstract 'County Tour' painting in progress ~ 30 x 24 inches


Friday, February 1, 2013

Gerberra's oil paintings

2 years ago when I quit my job at the framing shop, I wondered if I might partly regret it. I enjoyed the interaction with customers and staff; keeping in the loop about the ongoing local arts scene, friendships etc. Going from an art-related job to running a seasonal small business from my home and secluding myself out in the country to paint, could become a recipe for loneliness. 
Gerberras - oil on wood supports - 4 x 4 inches, each

Time has shown me otherwise.  I cannot believe how the time has flown by since then.  Not one day do i ever wish i still had the job!  These days my job takes more self dicipline...such as showing up at the easle when I'm not in the mood, doing the books when i'd rather paint, marketing etc. But it is hugely more satisfying.  Now, I stay in the loop when I want to. Good friends and art clients stay in touch.

And I read more. That's something I had stopped doing for a long time.  This week I've been reading an art book that is widely well known, but i had never got around to reading before. It's a most fascinating read: 
 'Drawing on the Right Side of the Brain' by Betty Edwards. 




Wednesday, January 30, 2013

Display shelf for art shows

The sitting area in my studio
Dave made me a wonderful selection of display shelves in various sizes to display small unframed works for art shows.  He had made one before in a large size which i used in my porch studio gallery, but these are more suitable to small sized works. That's two of them resting on the blue loveseat in my studio.  

I painted them all white so they will fit nicely into the decor of the Gallery at the Porch Door when i do open it up in the spring. I'm looking forward to doing a couple of shows this year.  I found out that i've been accepted into Art Among the Ruins which is a lovely 1 day outdoor event not far from where I live. Of course the weather could be a factor. Anyone have a canopy for sale or rent?

Monday, January 28, 2013

East Shore

East Shore - acrylic on wood - 8 x 8 inch
Back to the east coast shore of Nova Scotia...this one is from a stop near a fishing port of which i forget the name.
I'm beginning to get the hang of the acrylics, quite a different feeling than what i'm used to in oils...but I'm determined to keep with it.  I like how they dry fast.  I do not like how they wreck my brushes.

Saturday, January 26, 2013

Happy Australia Day

Surf - watercolour - 30 x 22 inches - SOLD
Happy Australia Day!  This painting is a watercolour I did about 12 years ago when we were living in Australia.  We lived on the Surf Coast not far from Bells beach where the Rip Curl surf championships were held annually.  Watching surfing really excited me, and I painted a lot of surfing watercolours back then. I thought i'd post it incelebration of Australia Day, which is today January 26th. (thanks to Michael Perchard 's blogpost which reminded me of it today)

Thursday, January 24, 2013

Cold outside is good for production

experimenting with acrylics in my studio
Artists sometimes wince at the word 'production' .  It can summon up all sorts of unpleasant connotations, none the least suggesting a mechanical method.  But the fact is, artists must produce to realize their hearts secrets; and producing requires production. Production results in a working out of the idea, as in a series of works.

I have been experimenting a bit more with acrylics.  I'm learning their abilities and limitations.  To do this I'm playing around with a small series of 'dreamscapes'.  They are fun and keep me free and loose to experiment.  My colours are rather limited, but that's probably good as I learn their properties.  I can always add to them one at a time as I feel more confident.  
It's been so darn cold outside, i haven't wanted to venture far.  My studio has been rather like a nest at the moment.

Monday, January 21, 2013

Painting intuitively

County Tour - 36" x 36" oil on canvas
This  painting i've been working on, kind of came together today.  Almost completely intuitively painted.  I really like working that way.  Sort of feeds my soul.  I'm working on a theme inspired from a  wine tour we went on in Prince Edward County in September; but this one also has threads of other recollections too. It's big for me, 36 x 36 inches.  Funny, when i'm working intuitively... usually what i plan on ends up having no resemblance to the end product at all.  Which is okay too.

Saturday, January 19, 2013

Hydrangeas and Chanel

Saturdays are one of my most favourite days.  I love it in the spring and summer when i venture down to the market early on a Saturday morning while Dave is home still blissfully slumbering(he loves his sleep in...me, not so much).  However today was not one of those days.  

Instead today was spent in the studio...I have been working on a big landscape, many parts of it I'm feeling good about, but there is a large area that is confounding me, so i know i need to give it a little longer to perculate in my brain. For the time being, ignoring it is the best answer...I have faith in time to work it out.  

In the meantime I have been completely absorbed in the history of the woman and the icon, CHANEL.  The book is by Lisa Chaney.  I am listening to it on audio.  A good read for fashionistas(or old fashion students) and anyone interested in the power of determination.  Her rise from a very miserable childhood into one of the worlds most iconic and sought after designers, is riveting in my opinion.

And something about painting hydrangea's while I listened, just seemed right too.  A nice Saturday.

Thursday, January 17, 2013

Italy at Gallery Perth

So on Tuesday I went to Ottawa, and on my way home I stopped in at Gallery Perth, in beautiful Perth Ontario.  It's a wonderful gallery, and situated in an old mill (Code's Mill) right next to Perth Picture Framing, and across from the picturesque river Tay.  The mill is occupied by a a restuarant; Fiddleheads,  a coffee shop; Coutts Coffee, a gift shop; Ground Waves, and a hairdressers; The Curly Redhead as well as some other business offices.  There is a large indoor limestone courtyard with flagstones and a fountain where you can relax with a cup of joe or order lunch. A delightful spot to spend a couple of hours.  The gallery is run by the owner of Perth Picture Framing.

It had been since last summer that I had taken new works to the gallery.  Veronica had sold, but I knew it was time to change things up a bit; so  I decided to take her a group of paintings that were on an Italian theme.  Some watercolours and some oils.  Veronica didn't mind the mix, and I think she was glad of some new things for her gallery. 

Here's the group of Italian paintings now on display at Gallery Perth.  Besides the Italian group there are also 3 of my large 'Wetland' series at the gallery as well.  If you're looking for an enjoyable day trip, consider a drive to Perth, Ontario and visit Codes Mill and Gallery Perth!





Monday, January 14, 2013

Kingston Arts and Letters Club

Coffee Break - oil on wood - 4x4"each
Every second Tuesday evening of the month is the meeting of Kingston Arts and Letters Club. This club sprang to life about 6 years ago, the idea of Kingston artist Pat Shea, who envisioned a club for artists to meet and mingle in a relaxed atmosphere to share interests.  Over the years the club met in several different venues, but the current one is by far the best in my opinion.  Meeting at the Kingston Yacht Club, 1 Maitland Street(south of King St and City Park) we mingle in a cozy atmosphere with a bar and lots of comfy chairs, sometimes there's a fire in the fireplace, and the view of the lake is spectacular.  It's a pretty diverse group of artists, writers, designers, poets, musicians...new members join each meeting, it's a very welcoming group.  So if you've been thinking about attending but not sure what to expect...I recommend it. 


Usually there is a speaker for part of the evening, with an informal presentation about an art project or one of the artists sharing their stories.  Last week the speaker was Julian Brown, chair of the Kingston Prize.  He was speaking about the Prize, it's past, present and it's future.  An enlightening and interesting presentation, where we learned about the logistics of creating and sustaining an art competition of this magnitude.

Next month the speaker is Carolyn Barnett, who will share her story and present a small fashion show of designs. I've been a huge fan of Carolyn's work for ages; it's full of whimsey and colour and style. So I'm looking forward to the Kingston A&L club meeting on Tues Feb 12.  Hope to see you there.

Tuesday, January 8, 2013

Artists stories

Espresso - oil on wood - 4 x 4"

I thought I'd share something i read over on Lori McNee's blog yesterday evening...it sort of hit a chord with me. Carolyn Edlund is the author of the article.  I've copied it below.  It was included in Lori's Top 2013 Art Business Tips From the Pros. Perhaps it hit a chord, because, ...believe it or not I am a little shy, and telling my story always seems a little too pompous, too grandiose. But thinking about it...I do find other people's stories really interesting.  So I believe she has a good point for us artists to remember when going about our art business.  You can read the article below:

 

Why Artists Must Tell Their Story


Carolyn Edlund spent twenty years running her own ceramic and jewelry studio, is currently the Executive Director of the Arts Business Institute, the author of the E-course titled “Marketing for Artists & Craftspeople,”  and the owner and author of Artsy Shark, a site devoted to the support of artists and creative entrepreneurs. She offers workshops and one on one consulting services as well. To find out more about Carolyn and to take your career to another level,  just click HERE.
One of the most effective ways that you as an artist can connect with your audience is to tell your story. Not just a recital of your resume, but the story of your inspiration, your struggles, your vision and your message.
Talking about yourself and your artwork builds a layer of emotional connection between you as the artist and your potential collectors. Yes, your work must be good, and must stand on its own, but you as an artist are intrinsically part of the end product of your studio work. When your client makes a purchase of your art, they are buying a part of your talent and your personality.
 Many art collectors are highly creative people themselves. They may not have ability as painters, photographers or sculptors, but they express themselves through buying the work of artists they appreciate. It’s no wonder that curation is a huge trend for the public, as each person can distinguish themselves and their tastes. They may have a boring job or an ordinary life, but they can stand out by showing their appreciation for the arts by becoming collectors. They crave a connection with artists and the perceived mystique and fantasy of being a full-time sought-after talent.
Your story helps make this connection, and can become an essential part of your presentation. Start by writing down everything that has affected or influenced you, and has led to your expressing your heart and soul in your artwork. Do you have an unusual technique? A story of overcoming hardship? Are your materials innovative?
When collectors buy your work, they will re-tell your story to others when showing your art. This can help you cultivate repeat buyers as well as earning referral business from your fans.
 Work on your story to distill down the parts that make those emotional connections with others. Practice telling your story. Record and listen to it, then make changes and hone it further. Your story should be compelling, full of important messages that you want to convey to your audience – and it should flow well.  You may want to have a longer and shorter version of your story which you can use as needed.
Where can you share your story?
  •  On your website About page. One of the most visited pages on any website, this important page should also include your photograph, so that visitors feel they know you.
  • In your artist statement and bio
  • As part of the branding of your business
  • When speaking about your work at a gallery show
  • To present your work to visitors at an art fair
  • In your brochure and other written promotional material
  • To use when applying for an artist residency, or on grant applications
  • For networking purposes, using a succinct version of your story tells others very clearly who you are.
  •  On your blog. This is a powerful place to share your ongoing story. Jack White is a master storyteller who frequently uses his own story as an artist, as well as telling stories about others. His style has made him a top expert on selling art.
  • In press releases
  • In interviews with the press
Your story will evolve over time as your art career grows. Don’t forget to stay in touch with your audience and continue to share about yourself and your art. It will be appreciated!

Monday, January 7, 2013

google + ...a BIG disappointment

I'm having a hard time trying to figure out what is wrong with my google+ profile...and why it doesn't seem to associate with my blog the way it should.  For example, when I leave comments on friends blogs, other people should be able to click my avatar and be taken to my blog, but instead it just goes to the google+ profile, which gives a message saying the blog has been removed. ???!!! I dont get that since I'm still here!!!  Certainly it is confounding. 
3 little tulip paintings - each are 4 x 4"
  The fun part about blogging is getting to interact with other artists through my blog, but with my link not working correctly, that's really NOT happening.  bummer.  I think i need a geek to help me figure it out, what I'm doing wrong, what to do to correct it,  fix it.  I've spent altogether WAY too much time reading through all the help articles, FAQ's and mountains of blogger information...but to no avail! 

I'm so glad painting is so darn un-complicated...when I screw up with painting it's just a fast wipe-off then on to the next one.  if only blogging was so easy to understand.

Thursday, January 3, 2013

hello 2013

hydrangea in cream jug
New Years eve was so enjoyable and relaxing too, but here we are the first week in January and in the deep freeze. Painting flowers reminds me of warmer seasons.  And that feels good right now.
I'm just finishing a remarkable little book I got for Xmas; Proof of Heaven by Eben Alexander, MD.  
It gives lots of scope for the contemplation.

Saturday, December 29, 2012

Still life with daisies, oil paintings

 
When it's snowing deeply outside on this winters day, I'm working on still life in my studio, and listening to an Agatha Christie novel.  Gotta love those who-dunnits. I also love white creamer jugs.  Here's two little ones modelling the daisies.  Each is painted on 6 x 6" wood panel.

Friday, December 28, 2012

Painting a present

Ginger - 8 x 10 - oil on canvas
It's an honour to paint a request for something specific for someone.  In doing so, the artist enters a contract with the client.  

There are always expectations.    Expectations of the client are to what the outcome might be.  Rightly so...a client should discuss with the artist their vision if they have one, before the work commences (sometimes there are design decisions, that  trump the clients expected vision). The expectations of the artist are to paint with integrity.  An artist must follow their own instincts making their own judgements and decisions as the painting progresses.  Personally I get quite delighted to work with clients on any ideas they might have, but design decisions must be mine.

'Ginger'  is a recent commission.  She is a beloved pet who passed away; the client wanted to give a portrait of Ginger to her parents for Christmas.  We discussed size, price and a special request was to paint in Ginger's name on the painting. Well, why not, I thought...and so Ginger's name was included in the design as the painting progressed. I used a stencil to keep letters tidy, and glazed over it all afterwards with raw sienna to harmonize it with the other tones of the painting.  After the glaze dried i painted in some lighter areas and tweaked a few highlights.  It was a real pleasure to paint her for such a sweet client.

There is another part of this story.  The client went in to labour on Dec 23, and was delivered of a first born son on Christmas eve!  I think her parents got two presents for Christmas.  And I think 'Ginger' just might be playing second fiddle.  ...heh heh...thats just fine by me.  Congratulations to the proud parents.


Thursday, December 27, 2012

Snow Day today!

If you live in Canada, you will know the term SNOW DAY.  When you're a kid it can mean all kinds of wonderful things; not least among them, school is cancelled!  That's always cause for celebration.  My brothers and I would don our snow gear and trudge out into the wintery wonderland to play, building snow forts and snow men, sliding down any small slope in the neighbourhood and eating snow balls from our mittens...yep gross... i know, but all kids do it.  

It is SNOWING out here in the countryside near Elginburg today.  It snowed all night. We have not had a deep snowfall for a long time, so for me it was a treat to wake up to this morning.  "Snow day!" I thought, when i woke up and looked out my bedroom window.  Dave and i are both lucky that we dont have to be anywhere today. Because if you have to travel on snowy roads, it can be treacherous. The girls got home safely yesterday from Christmas when the roads were fine... all good.  Christmas for us is family time; games, food and sharing.  We certainly got that in spades.  Here's Dave and Jane and Holly engrossed in a board game.  I wish everyone a healthy and prosperous new year! 
Christmas 2012 - fun and games