Thursday, February 28, 2013

Update on Women Recreated Project

I just returned from Halifax ,Nova Scotia this afternoon! Had a lovely 3 nights with my darlin' Rachel...she's my middle daughter. It was so great to see her, and really great to miss the wicked snow storm that brought Ontario a fresh blanket of the white stuff while i was away. In NS it was sunny and milder, that's my shadow taking the pic and Rachie walking her dog Asha in the sunshine. 

I just received an email today showing the finished image for the Women Recreated Mosaic Project that I took part in for Queens University. It is sort of nice to see how it is coming along.  I think this is the finished image, but it sort of looks like a few of the squares are still unfinished.  Perhaps they didn't get 100% participation for the project. My image is 5 rows down and 5 across.
It was sort of a fun participation project, although i found it challenging to stick to the theme, colours and basic design layout of my assigned square while at the same time interpreting it in my own style of art-making. 


For me, I find it a valuable experience taking part in local art projects that have a purpose of raising awareness or somehow otherwise benefiting the community. Next month I have volunteered to participate in another community arts related project...The Red Door Art Project...which raises funds for Gilda's club which is a cancer support centre. I will be collaborating with musician Emily Fennell.  Very much looking forward to meeting her and to having some fun with the project.

Friday, February 22, 2013

Part of the process


Getting myself somewhat organized is a bit of a balancing act for me. I dont know about you, but if I let things get too cluttered in my studio i just cant seem to focus at all.  A happy medium between tidy and untidy seems to work best. 
This morning, after receiving a reject letter for an art show I applied for; instead of throwing it out in frustration, i decided to create some files.(yes real files in a drawer...not on the computer!)
I figure after a few years I will likely aquire a collection...my optimistic self thinks that instead of being a negative thing this could actually benefit me positively.  In the same way that I get a certain satisfaction out of crossing things off of a 'to do list', I figure that in time I will look back at this file and see it as a testament to the things I attempted and perservered with,not the rejection that it represents today.
In the meantime I cant wait to paint some more beach-houses...that's the little blocks up there on the shelf waiting. I usually use a 'quick-dry white' plus a tint colour for the painting ground, but I didn't have any 'quick-dry white' ...so i used regular 'titanium white' instead. not a good idea.  The thick ground(applied with a palette knife) is taking just FOREVER to dry...another lesson learned! 
I'm off to Halifax this Monday for a few 'girly' nights with my middle daughter Rachel. woohoo! excited.

Tuesday, February 19, 2013

Starlight oil painting

Starlight - oil on wood - 8 x 8 inches
Was it last night or the night before? ... I was floating in the hot-tub, the stars above me were so  incredibly bright. I noticed that around each was a halo of lilac, pink and gold.

I had begun two paintings both featuring night skies a few weeks ago, but they were languishing. I hadn't been able to connect the sky to the very dark earth below.  But...after studying those stars whilst in the tub i thought: 'why not play up the halos around the stars in my night sky and find a way to somehow connect them to the landscape using similar tones? So this is what happened here. The effect turned out rather jolly ...and(ahem!, this was a surprise...) a little like Van Gogh's 'Starry Starry Night'!   I'll bet he too, studied the halos around the stars one bright night many moons ago. 

The blue I used for the sky was "Indian Blue" which is a blue i inherited from a friends old paint box when she moved.  I've not used it before. It is very intense, but has good power for a night sky.  I'm happy because it turned a very static solemn painting into one of celebration and movement.

Sunday, February 17, 2013

Wineries Tour


Wineries Tour - oil on Canvas - 30 x 24"
'Wineries Tour'  is the product of painting through the filter of  my recollections.  The memories are from a county wine tour we went on in September.  It's a side-step away from what i usually do...but who wants to be usual?  It's been quite interesting working in this way, and I'm sure I will experiment with other abstract work when i get the notion.  I've been interested in abstracts for a while. Fun to see what evolves.


Saturday, February 16, 2013

Still life stage and chooks

Dave made me a great still life stage last month!  The design is very similar to the one designed by Carole and David Marine, available here.  Dave had difficulty finding the furniture grade pvc that was suggested, and so used plumbing piping, but it was not as easy to work with, he had to modify it a bit.  I am just delighted! It is quite large and will fit large bouquet's or smaller items. At the moment i like it draped in white(I'm using old table cloths and pillowcases) but i will likely try other fabric draping options. It's opened up a whole new world of still life to me.  I never did much of it before, as i preferred landscapes, but it is a great option for subjects in the studio and i know i will enjoy the ease of setting up a still life and being able to control the light source(always a problem before when i would set a plant in the window and the light would change as i painted).

chooks - oil on wood - 4 x 4 inches each
I didn't use the stage for these 'chooks'. They are an experiment in pushing impasto effects. Impasto is a word for thicker paint.  I've been wanting to create thicker passages in my work, so I thought i'd give it a try here.

Tuesday, February 12, 2013

beach houses

beach houses - oil on distressed wood - each are 2.5 x 3 inches
Day-dreaming of holidays; painting these teeny tiny beach houses on unfinished wood blocks are the next best thing to being there for me.  I like painting on wood, i prefer it to canvas...but maybe not over linen...i love linen. Linen has a smoother weave than canvas; my brush glides easily on it.  It's why i like painting on wood too, I guess; less drag on the brush. 

I've been waiting for an order of small wood supports to arrive.  Getting impatient, I had some unfinished wood blocks in the studio.  Looking at their texture reminded me of weathered wood. ...Perhaps 'beach houses' could be a theme?  Perhaps a 'distressed'  border around each? ... i think i feel a collection...

Friday, February 8, 2013

Positively primroses

Primrose 1- oil on wood - 4x4"

 Okay... so I broke down and swung into Neils Flowers on my way home from town last week. I wanted to see spring flowers...especially smell them. I just love to step into their greenhouse at this time of year, like entering a new world full of perfect balance...moisture, growth and renewal. I couldn't resist buying 2 gorgeous primroses.  They remind me of England. When we lived in Camberley, Surrey they were always plentiful in January, in the shops and in the gardens.  The yellow ones have the most devine scent!  They are the ones that also grow wild, so they are more true to the original genesis of primrose.   
Primrose 2- oil on wood - 4x4"

Wash Day - oil on gessobord - 12" x 9"
Then I played around with this painting 'Wash Day'.  I developed it from a plein air that i had lying around from our Vermont excursion; one that's been hanging about ever since. With it's angry clouds (that was during Hurricane Sandy that I painted the clouds) brooding, there was an ominous feeling to it, but it seemed vacant. i added the limestone house first, then later the laundry. I might still add a figure... under the long-underwear on the line...but I'm having a hard time deciding if it needs it...any ideas?

Tuesday, February 5, 2013

Gallery Cafe Season launching exhibition


2013 Season Exhibition
Sally Chupick 
Frankie Lemonde-Meunier 
Vera Donefer
at Mill Street Cafe Gallery

me and some of my works at  the gallery cafe
4400 Mill Street, Sydenham, Ontario, Canada
Ph: 613-376-1533
Feb 14th - Dec 30th  
The Mill Street Gallery Cafe opens the 2013 season with lunches Tuesday to Saturday, 11:30 to 2:30pm. On display are paintings by Sally Chupick, Vera Donefer and vibrant mixed media works by Frankie Lemonde-Meunier. 
613 376 1533. 4400 Mill Street, Sydenham, ON.

Sunday, February 3, 2013

learning and a surprise



Throughout this week I've been experimenting with acrylics some more.  These 2 are on small wood supports, only 6x6 inches. The idea was to skip a photo resource to paint from; instead pulling subject matter from my minds eye and imagination and go at it in a playful sort of way... i wanted to fool around and get used to the 'feel' of the medium. I didn't really care about having anything to say...basically illustrations to learn technique.  
What's with the sailboats you might ask? hmmm... I really have no idea! I was listening to a program on Thursday night on tvo called 'Art of Germany' (a great show!)and the narrator described the sailboats in Casper Friedrich's art as symbolising 'life's great journey'. heh heh. not quite sure that's the case here! heh.

Something's still gurgling away in my mind on another theme i've been working on though; it's to do with the 'County Tour' theme that I've been working on in my larger oil paintings.  I decided to start an interpretive painting to get to the bottom of it. The only thing that seemed fitting to try and work it out was to work in an abstract manner. And that was a surprise even for me!  So far, I'm liking where it's heading, you can see it hanging on the white-washed doors in my studio. I'll post again when I complete it.

abstract 'County Tour' painting in progress ~ 30 x 24 inches


Friday, February 1, 2013

Gerberra's oil paintings

2 years ago when I quit my job at the framing shop, I wondered if I might partly regret it. I enjoyed the interaction with customers and staff; keeping in the loop about the ongoing local arts scene, friendships etc. Going from an art-related job to running a seasonal small business from my home and secluding myself out in the country to paint, could become a recipe for loneliness. 
Gerberras - oil on wood supports - 4 x 4 inches, each

Time has shown me otherwise.  I cannot believe how the time has flown by since then.  Not one day do i ever wish i still had the job!  These days my job takes more self dicipline...such as showing up at the easle when I'm not in the mood, doing the books when i'd rather paint, marketing etc. But it is hugely more satisfying.  Now, I stay in the loop when I want to. Good friends and art clients stay in touch.

And I read more. That's something I had stopped doing for a long time.  This week I've been reading an art book that is widely well known, but i had never got around to reading before. It's a most fascinating read: 
 'Drawing on the Right Side of the Brain' by Betty Edwards. 




Wednesday, January 30, 2013

Display shelf for art shows

The sitting area in my studio
Dave made me a wonderful selection of display shelves in various sizes to display small unframed works for art shows.  He had made one before in a large size which i used in my porch studio gallery, but these are more suitable to small sized works. That's two of them resting on the blue loveseat in my studio.  

I painted them all white so they will fit nicely into the decor of the Gallery at the Porch Door when i do open it up in the spring. I'm looking forward to doing a couple of shows this year.  I found out that i've been accepted into Art Among the Ruins which is a lovely 1 day outdoor event not far from where I live. Of course the weather could be a factor. Anyone have a canopy for sale or rent?

Monday, January 28, 2013

East Shore

East Shore - acrylic on wood - 8 x 8 inch
Back to the east coast shore of Nova Scotia...this one is from a stop near a fishing port of which i forget the name.
I'm beginning to get the hang of the acrylics, quite a different feeling than what i'm used to in oils...but I'm determined to keep with it.  I like how they dry fast.  I do not like how they wreck my brushes.

Saturday, January 26, 2013

Happy Australia Day

Surf - watercolour - 30 x 22 inches - SOLD
Happy Australia Day!  This painting is a watercolour I did about 12 years ago when we were living in Australia.  We lived on the Surf Coast not far from Bells beach where the Rip Curl surf championships were held annually.  Watching surfing really excited me, and I painted a lot of surfing watercolours back then. I thought i'd post it incelebration of Australia Day, which is today January 26th. (thanks to Michael Perchard 's blogpost which reminded me of it today)

Thursday, January 24, 2013

Cold outside is good for production

experimenting with acrylics in my studio
Artists sometimes wince at the word 'production' .  It can summon up all sorts of unpleasant connotations, none the least suggesting a mechanical method.  But the fact is, artists must produce to realize their hearts secrets; and producing requires production. Production results in a working out of the idea, as in a series of works.

I have been experimenting a bit more with acrylics.  I'm learning their abilities and limitations.  To do this I'm playing around with a small series of 'dreamscapes'.  They are fun and keep me free and loose to experiment.  My colours are rather limited, but that's probably good as I learn their properties.  I can always add to them one at a time as I feel more confident.  
It's been so darn cold outside, i haven't wanted to venture far.  My studio has been rather like a nest at the moment.

Monday, January 21, 2013

Painting intuitively

County Tour - 36" x 36" oil on canvas
This  painting i've been working on, kind of came together today.  Almost completely intuitively painted.  I really like working that way.  Sort of feeds my soul.  I'm working on a theme inspired from a  wine tour we went on in Prince Edward County in September; but this one also has threads of other recollections too. It's big for me, 36 x 36 inches.  Funny, when i'm working intuitively... usually what i plan on ends up having no resemblance to the end product at all.  Which is okay too.

Saturday, January 19, 2013

Hydrangeas and Chanel

Saturdays are one of my most favourite days.  I love it in the spring and summer when i venture down to the market early on a Saturday morning while Dave is home still blissfully slumbering(he loves his sleep in...me, not so much).  However today was not one of those days.  

Instead today was spent in the studio...I have been working on a big landscape, many parts of it I'm feeling good about, but there is a large area that is confounding me, so i know i need to give it a little longer to perculate in my brain. For the time being, ignoring it is the best answer...I have faith in time to work it out.  

In the meantime I have been completely absorbed in the history of the woman and the icon, CHANEL.  The book is by Lisa Chaney.  I am listening to it on audio.  A good read for fashionistas(or old fashion students) and anyone interested in the power of determination.  Her rise from a very miserable childhood into one of the worlds most iconic and sought after designers, is riveting in my opinion.

And something about painting hydrangea's while I listened, just seemed right too.  A nice Saturday.

Thursday, January 17, 2013

Italy at Gallery Perth

So on Tuesday I went to Ottawa, and on my way home I stopped in at Gallery Perth, in beautiful Perth Ontario.  It's a wonderful gallery, and situated in an old mill (Code's Mill) right next to Perth Picture Framing, and across from the picturesque river Tay.  The mill is occupied by a a restuarant; Fiddleheads,  a coffee shop; Coutts Coffee, a gift shop; Ground Waves, and a hairdressers; The Curly Redhead as well as some other business offices.  There is a large indoor limestone courtyard with flagstones and a fountain where you can relax with a cup of joe or order lunch. A delightful spot to spend a couple of hours.  The gallery is run by the owner of Perth Picture Framing.

It had been since last summer that I had taken new works to the gallery.  Veronica had sold, but I knew it was time to change things up a bit; so  I decided to take her a group of paintings that were on an Italian theme.  Some watercolours and some oils.  Veronica didn't mind the mix, and I think she was glad of some new things for her gallery. 

Here's the group of Italian paintings now on display at Gallery Perth.  Besides the Italian group there are also 3 of my large 'Wetland' series at the gallery as well.  If you're looking for an enjoyable day trip, consider a drive to Perth, Ontario and visit Codes Mill and Gallery Perth!





Monday, January 14, 2013

Kingston Arts and Letters Club

Coffee Break - oil on wood - 4x4"each
Every second Tuesday evening of the month is the meeting of Kingston Arts and Letters Club. This club sprang to life about 6 years ago, the idea of Kingston artist Pat Shea, who envisioned a club for artists to meet and mingle in a relaxed atmosphere to share interests.  Over the years the club met in several different venues, but the current one is by far the best in my opinion.  Meeting at the Kingston Yacht Club, 1 Maitland Street(south of King St and City Park) we mingle in a cozy atmosphere with a bar and lots of comfy chairs, sometimes there's a fire in the fireplace, and the view of the lake is spectacular.  It's a pretty diverse group of artists, writers, designers, poets, musicians...new members join each meeting, it's a very welcoming group.  So if you've been thinking about attending but not sure what to expect...I recommend it. 


Usually there is a speaker for part of the evening, with an informal presentation about an art project or one of the artists sharing their stories.  Last week the speaker was Julian Brown, chair of the Kingston Prize.  He was speaking about the Prize, it's past, present and it's future.  An enlightening and interesting presentation, where we learned about the logistics of creating and sustaining an art competition of this magnitude.

Next month the speaker is Carolyn Barnett, who will share her story and present a small fashion show of designs. I've been a huge fan of Carolyn's work for ages; it's full of whimsey and colour and style. So I'm looking forward to the Kingston A&L club meeting on Tues Feb 12.  Hope to see you there.

Tuesday, January 8, 2013

Artists stories

Espresso - oil on wood - 4 x 4"

I thought I'd share something i read over on Lori McNee's blog yesterday evening...it sort of hit a chord with me. Carolyn Edlund is the author of the article.  I've copied it below.  It was included in Lori's Top 2013 Art Business Tips From the Pros. Perhaps it hit a chord, because, ...believe it or not I am a little shy, and telling my story always seems a little too pompous, too grandiose. But thinking about it...I do find other people's stories really interesting.  So I believe she has a good point for us artists to remember when going about our art business.  You can read the article below:

 

Why Artists Must Tell Their Story


Carolyn Edlund spent twenty years running her own ceramic and jewelry studio, is currently the Executive Director of the Arts Business Institute, the author of the E-course titled “Marketing for Artists & Craftspeople,”  and the owner and author of Artsy Shark, a site devoted to the support of artists and creative entrepreneurs. She offers workshops and one on one consulting services as well. To find out more about Carolyn and to take your career to another level,  just click HERE.
One of the most effective ways that you as an artist can connect with your audience is to tell your story. Not just a recital of your resume, but the story of your inspiration, your struggles, your vision and your message.
Talking about yourself and your artwork builds a layer of emotional connection between you as the artist and your potential collectors. Yes, your work must be good, and must stand on its own, but you as an artist are intrinsically part of the end product of your studio work. When your client makes a purchase of your art, they are buying a part of your talent and your personality.
 Many art collectors are highly creative people themselves. They may not have ability as painters, photographers or sculptors, but they express themselves through buying the work of artists they appreciate. It’s no wonder that curation is a huge trend for the public, as each person can distinguish themselves and their tastes. They may have a boring job or an ordinary life, but they can stand out by showing their appreciation for the arts by becoming collectors. They crave a connection with artists and the perceived mystique and fantasy of being a full-time sought-after talent.
Your story helps make this connection, and can become an essential part of your presentation. Start by writing down everything that has affected or influenced you, and has led to your expressing your heart and soul in your artwork. Do you have an unusual technique? A story of overcoming hardship? Are your materials innovative?
When collectors buy your work, they will re-tell your story to others when showing your art. This can help you cultivate repeat buyers as well as earning referral business from your fans.
 Work on your story to distill down the parts that make those emotional connections with others. Practice telling your story. Record and listen to it, then make changes and hone it further. Your story should be compelling, full of important messages that you want to convey to your audience – and it should flow well.  You may want to have a longer and shorter version of your story which you can use as needed.
Where can you share your story?
  •  On your website About page. One of the most visited pages on any website, this important page should also include your photograph, so that visitors feel they know you.
  • In your artist statement and bio
  • As part of the branding of your business
  • When speaking about your work at a gallery show
  • To present your work to visitors at an art fair
  • In your brochure and other written promotional material
  • To use when applying for an artist residency, or on grant applications
  • For networking purposes, using a succinct version of your story tells others very clearly who you are.
  •  On your blog. This is a powerful place to share your ongoing story. Jack White is a master storyteller who frequently uses his own story as an artist, as well as telling stories about others. His style has made him a top expert on selling art.
  • In press releases
  • In interviews with the press
Your story will evolve over time as your art career grows. Don’t forget to stay in touch with your audience and continue to share about yourself and your art. It will be appreciated!

Monday, January 7, 2013

google + ...a BIG disappointment

I'm having a hard time trying to figure out what is wrong with my google+ profile...and why it doesn't seem to associate with my blog the way it should.  For example, when I leave comments on friends blogs, other people should be able to click my avatar and be taken to my blog, but instead it just goes to the google+ profile, which gives a message saying the blog has been removed. ???!!! I dont get that since I'm still here!!!  Certainly it is confounding. 
3 little tulip paintings - each are 4 x 4"
  The fun part about blogging is getting to interact with other artists through my blog, but with my link not working correctly, that's really NOT happening.  bummer.  I think i need a geek to help me figure it out, what I'm doing wrong, what to do to correct it,  fix it.  I've spent altogether WAY too much time reading through all the help articles, FAQ's and mountains of blogger information...but to no avail! 

I'm so glad painting is so darn un-complicated...when I screw up with painting it's just a fast wipe-off then on to the next one.  if only blogging was so easy to understand.